graphic design: Digital Photography

Pinhole Camera

Introduction

Materials to make pinhole

Cans or cans of biscuits
Thumb pim
box
black tape

About Pinhole

A pinhole camera is a simple camera without a lens and with a single small aperture.
Light from a scene passes through this single point and projects an inverted image on the opposite side of the box.
Up to a certain point, the smaller the hole and the sharper the image.
The size of the aperture should be 1/100 or less of the distance between it and the projected image.

(My pinhole)

I dont use this pinhole to take a picture because, its hard for me to put the paper photography inside this pinhole.

I use this cans of biscuits to take a picture

History

Alhazen (Ibn Al-Haytham), a great authority on optics in the Middle Ages who lived around 1000AD, invented the first pinhole camera, (also called the Camera Obscura} and was able to explain why the images were upside down. The first casual reference to the optic laws that made pinhole cameras possible, was observed and noted by Aristotle around 330 BC, who questioned why the sun could make a circular image when it shined through a square hole.

Process

ILFORD MULTIGRADE
ILFROD HARMAN WARMTONE (2 minute)
ILFORD ILFOSTOP (1 minute)
ILFORD RAPID FIXER (5 minute)
water (30 minute)

Film

ILFORD ILFOSOL3 ( 6 minute)
ILFORD ILFOSTOP (1/2 minute)
ILFORD RAPID FIXER (5 minute)

Digital Photography

What is Shutter Speed?

The aperture diaphragm of a lens (bigger or smaller values) AND timing (open and close) of the camera's shutter curtain - BOTH perform the tasks of regulating the amount of light entering the camera and expose onto the film. The shutter speed scales engraved on the shutter speed dial of conventional camera bodies with a shutter speed ring OR via some flickering digital numerals on the LCD screen like: 1/8000, 1/4000, 1/1000, 1/500, 1/250, 1/125, 1/60, 1/30, 1/15, 1/8, 1/4, 1/2, 1 or -1, -2 etc. are essentially indicators of the duration (timing) at which the shutter curtain opens up and closes during an exposure process. A 1/125 setting means the shutter curtain open and close within one hundred and twenty five of a second while 1 means an one full-second the shutter opens up during exposure to absorb the available light source onto the film to form an exposure.

What is Iso?

In traditional (film) photography ISO (or ASA) was the indication of how sensitive a film was to light. It was measured in numbers (you’ve probably seen them on films – 100, 200, 400, 800 etc). The lower the number the lower the sensitivity of the film and the finer the grain in the shots you’re taking.
In Digital Photography ISO measures the sensitivity of the image sensor. The same principles apply as in film photography – the lower the number the less sensitive your camera is to light and the finer the grain.
Higher ISO settings are generally used in darker situations to get faster shutter speeds. For example an indoor sports event when you want to freeze the action in lower light. However the higher the ISO you choose the noisier shots you will get. I’ll illustrate this below with two enlargements of shots that I just took – the one on the left is taken at 100 ISO and the one of the right at 3200 ISO (click to enlarge to see the full effect).

What is Aperture?

Put most simply – Aperture is ‘the opening in the lens.’

When you hit the shutter release button of your camera a hole opens up that allows your cameras image sensor to catch a glimpse of the scene you’re wanting to capture. The aperture that you set impacts the size of that hole. The larger the hole the more light that gets in – the smaller the hole the less light.
Aperture is measured in ‘f-stops’. You’ll often see them referred to here at Digital Photography School as f/number – for example f/2.8, f/4, f/5.6,f/8,f/22 etc. Moving from one f-stop to the next doubles or halves the size of the amount of opening in your lens (and the amount of light getting through). Keep in mind that a change in shutter speed from one stop to the next doubles or halves the amount of light that gets in also – this means if you increase one and decrease the other you let the same amount of light in – very handy to keep in mind).
One thing that causes a lot of new photographers confusion is that large apertures (where lots of light gets through) are given f/stop smaller numbers and smaller apertures (where less light gets through) have larger f-stop numbers. So f/2.8 is in fact a much larger aperture than f/22. It seems the wrong way around when you first hear it but you’ll get the hang of it.